LIMINAL HERITAGE

The third chapter of LIMINAL investigates Heritage as a living infrastructure: an integrated system of tangible and intangible legacies in which the artwork is not only an object, but continuity, responsibility, and transmission. In HERITAGE, the past is not a closed archive—it is an operative matrix able to generate the future. The volume moves across thresholds between heritage and innovation, material and immaterial, classical structure and contemporary practice, reframing curating as a critical and strategic discipline: organizing works into a recognizable genealogy, activating meaningful relations across heterogeneous elements, and ensuring the legibility and permanence of a corpus over time.

Through critical essays, research sections, and a documentary apparatus, LIMINAL 3 — HERITAGE positions the digital as a functional extension of the artwork—archival, relational, traceable—and establishes a shared language across curating, research, archiving, and cultural design.

A methodological manifesto for institutions, collectors, and cultural practitioners: preservation is not only conservation—it is transmissibility.